First Published in the New York Journal of Books
October 12, 2015
He’s the
last person you’d want to sit by on a bus. As a brother-in-law, he’d probably
make you poke forks in your eyes at the family picnic. Probably the most
self-absorbed and offensive character you’ll meet…so, why is he so appealing?
This is
Aldo and he’s the gyre this novel seems to revolve around, dizzy and disjointed
in a way filled with seriously witty lines and repellent acts. Aldo and Liam
are long-time friends who’ve grown into adults left with little to take pride
in, and a history of disappointment. Having both lost sisters to early deaths,
they share a bond that makes you think that you’re headed for a poignant tale
of friendship. Poignant, yes. Wildly
unpredictable? That too.
At times
it appears that the purpose of Aldo is a mirror to discover the nature of Liam,
a fascinating character on his own. Liam is a writer who is so interested in
authenticity for his characters that he attends the police academy to research
police procedure. When his novel dies soon after, he ends up becoming a
policeman to make his living. The irony of painful reality versus dreams.
 |
| research can be dangerous |
When the
story begins Aldo is in a wheelchair, and the two are bored in a bar in Australia.
Regret swarms them. Liam’s police uniform chafes him mentally, and Aldo is bent
on offending everyone. Liam decides that Aldo is his lost muse, and decides to
return to writing: “to write about you is to troubleshoot the human spirit.”
For Aldo,
a middle-class kid who is not graced with any advantages, life is a brutal game
of catch-as-catch-can. Early in his teens he’s falsely accused of rape, and it
alters his personality forever. “Always
democratic in his alliances, now he became friends with everybody…It was as if
by surrounding himself with people, he was building airtight alibis for every
minute he passed on earth.” His personality becomes a jarring combination of
moral superiority and immoral and illegal business practices. Fond of himself,
he assumes others loathe him.
Schemes
abound, such as his idea to start a B&B&B (Brothel, Bed &
Breakfast), as well as developing restaurants and films. Without much
forethought, he reels in investors but delivers nothing. He becomes a legend in
their region, a loser that seems to have a group of successful acquaintances
who help bail him out, enabling him to continue to delude himself, when they
aren’t beating him up. And there’s always Liam to come to the rescue.
But in his
misery and joblessness, he has all the great lines. Of a stiff-mannered sketch
artist, he said “he looked like he would have to be loved intravenously”. Of
himself, he says he is “a sleeper angel waiting to be activated”. His acerbic presence
in the first half of the novel is delightful.
Here’s
where the narrative gets complicated. In a completely non-linear way, tossing
most conventions aside, Toltz gets experimental. We are forced into leaving the
storytelling for a long-winded section about Aldo’s fate. He’s facing trial and
we have yet to understand what caused his disability.
When he
was a wise-ass blowhard with intriguing thoughts and observations, he was a
sympathetic character. We liked him more than he liked himself (which was a
lot!). His efforts to get the upper hand on his body are epic: he attempts
surfing even if it means dragging his paralyzed body across the sand. But once
the trial begins, and he’s given free rein to explain his life in his own voice
(up to now we’ve had Liam narrating), he is simply a blowhard.
 |
| Aldo's secret beach? |
He tells
astonishing stories and it’s clear that madness is a factor weighing into the
outcome. Scenes in court seem like hallucinations. His reality is one of a
hypnotic attraction to desperate women, suicidal (yet considerate) people, and
a host of other repellent and obnoxious images.
Awkward dialogue
take the place of much needed exposition and it becomes a confusing tangle of
allegations, and the introspective ravings of a bore. This section, “The
Madness of the Muse”, lives up to its title.
All said,
the novel features tremendous wit and a juicy repartee with the two men. Liam is
intriguing as a foil to Aldo: a straight man to his comedy. By the conclusion, seeing that Aldo’s
long-term influence on Liam actually makes Liam a better man is an irresistible
concept.
 |
| This is not Aldo. It's author Steve Toltz. |
In the
final pages, Aldo asks Liam about that book he was writing. Liam’s response:
“It’s been hard...Really hard. I mean, I’ve been working around the clock to
get down an accurate cross-section of your traumas, but it’s difficult to make
an underdeveloped person into a well-rounded character. I think I’ve accurately
depicted how you’re critical of others yet despairing of your own unceasing
self-regard, and how you don’t think
so much as secrete thought…The thing
is, I want to make you real. Tangible.”
Review copy courtesy of Simon and Schuster.
Released 9/15/15.
No comments:
Post a Comment