Wednesday, January 28, 2009
Keepsake, Viggo Mortensen
KEEPSAKE
Still unused,
the letter opener
she got on her birthday
has become tarnished.
It lies on the sill,
next to a seashell
she found in Florida
before moving west.
Before becoming a writer.
Before becoming a mother.
Her son wants to use it as a dagger,
to wield it savagelyagainst monsters and bad guys
that come streaming out
from the toy-cluttered corners of his room,
but he can't reach it yet.
V. Mortensen
Still unused,
the letter opener
she got on her birthday
has become tarnished.
It lies on the sill,
next to a seashell
she found in Florida
before moving west.
Before becoming a writer.
Before becoming a mother.
Her son wants to use it as a dagger,
to wield it savagelyagainst monsters and bad guys
that come streaming out
from the toy-cluttered corners of his room,
but he can't reach it yet.
V. Mortensen
Shape of My Heart, lyrics by Sting
He deals the cards as a meditation
And those he plays never suspect
He doesn't play for the money he wins
He doesn't play for respect
He deals the cards to find the answer
The sacred geometry of chance
The hidden law of probable outcome
The numbers lead a dance
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war.
I know that diamonds mean money for this art
But that's not the shape of my heart
He may play the jack of diamonds
He may lay the queen of spades
He may conceal a king in his hand
While the memory of it fades
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But that's not the shape of my heart
And if I told you that I loved you
You'd maybe think there's something wrong
I'm not a man of too many faces
The mask I wear is one
Those who speak know nothing
And find out to their cost
Like those who curse their luck in too many places
And those who fear are lost
And those he plays never suspect
He doesn't play for the money he wins
He doesn't play for respect
He deals the cards to find the answer
The sacred geometry of chance
The hidden law of probable outcome
The numbers lead a dance
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war.
I know that diamonds mean money for this art
But that's not the shape of my heart
He may play the jack of diamonds
He may lay the queen of spades
He may conceal a king in his hand
While the memory of it fades
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But that's not the shape of my heart
And if I told you that I loved you
You'd maybe think there's something wrong
I'm not a man of too many faces
The mask I wear is one
Those who speak know nothing
And find out to their cost
Like those who curse their luck in too many places
And those who fear are lost
Monday, January 26, 2009
The Story of Edgar Sawtelle, mini review
Just finished this last week, definitely a must read. No spoilers, but if you read it, stop and consider what details hit you as significant and what seem irrelevant, then as you read it, see if you are correct.
If you are the type to read the blurb on the dust jacket (I'm surprised to find many people don't), don't get too caught up in thinking you can imagine what will happen.
The most surprising thing to me is that this is one novel where much of the foreshadowing details aren't explained, and details that seemed to precipitate something big are misleading. Usually that ends up feeling disappointing or confusing. In this book, it doesn't. It fits. It makes sense in this meandering, fairy tale style, little orphan boy, Lassie saves the day sort of way.
The characters are pretty brisk. Trudy and Gar both seem extremely complicated, but it's only by inference, not by any internal monologue that you have to plod through. They are described fairly briefly but you can sense how they've been shaped. No wasted dialogue to have to figure them out. Edgar himself is amazing, and you don't for a second feel sorry for him like another author might want you to. Almondine, a main character in her own right, knows only loyalty and desires to protect. Imaginary to think a dog could ponder protecting it's family, but we do have guard dogs, right?
Two other really compelling characters (no spoilers so I'm being vague) are fascinating in how they perceive themselves, and how they describe themselves, and you get to figure out how on target they are.
The book is lush, beautiful, and is probably going to be a movie soon. I tried to mentally cast the characters and could only come up with Chris Cooper as Claude, Steve Buscemi as Henry, Kodi Smit-McPhee as Edgar, and David Morse as Glen. Trudy seems like she could be Laura Linney but maybe not as pretty? I can't find anyone for Gar, as yet. He has to resemble Chris Cooper a great deal, but I hate those movies when one guy plays two roles. Alas, no role for Viggo.
My only irritation with the book, as with myself, is it gets too wordy at times. Sometimes you want to say to the author, 'okay, so we know you own a thesaurus...yay'. He definitely puts that book to good use, I had to look up a million words and by the end of the book realized they all described pretty much the same thing, only so much more elegant.
If you are the type to read the blurb on the dust jacket (I'm surprised to find many people don't), don't get too caught up in thinking you can imagine what will happen.
The most surprising thing to me is that this is one novel where much of the foreshadowing details aren't explained, and details that seemed to precipitate something big are misleading. Usually that ends up feeling disappointing or confusing. In this book, it doesn't. It fits. It makes sense in this meandering, fairy tale style, little orphan boy, Lassie saves the day sort of way.
The characters are pretty brisk. Trudy and Gar both seem extremely complicated, but it's only by inference, not by any internal monologue that you have to plod through. They are described fairly briefly but you can sense how they've been shaped. No wasted dialogue to have to figure them out. Edgar himself is amazing, and you don't for a second feel sorry for him like another author might want you to. Almondine, a main character in her own right, knows only loyalty and desires to protect. Imaginary to think a dog could ponder protecting it's family, but we do have guard dogs, right?
Two other really compelling characters (no spoilers so I'm being vague) are fascinating in how they perceive themselves, and how they describe themselves, and you get to figure out how on target they are.
The book is lush, beautiful, and is probably going to be a movie soon. I tried to mentally cast the characters and could only come up with Chris Cooper as Claude, Steve Buscemi as Henry, Kodi Smit-McPhee as Edgar, and David Morse as Glen. Trudy seems like she could be Laura Linney but maybe not as pretty? I can't find anyone for Gar, as yet. He has to resemble Chris Cooper a great deal, but I hate those movies when one guy plays two roles. Alas, no role for Viggo.
My only irritation with the book, as with myself, is it gets too wordy at times. Sometimes you want to say to the author, 'okay, so we know you own a thesaurus...yay'. He definitely puts that book to good use, I had to look up a million words and by the end of the book realized they all described pretty much the same thing, only so much more elegant.
Monday, January 5, 2009
Lost Thought
Too young for Alzheimer's,
too old to have a note on a string around my neck.
I go through the movements of my day slowly,
trying to give time for the errant thought to find it's way back.
Nodding to myself occasionally,
as just a shiny glance of the thought
Flutters into my head
Something I needed to do,
something that was important
Something urgent
And then like the scent of the faintest gardenia,
the thought passes.
I try again.
I move in jerky pauses,
sure that the thought is just out of my grasp
and if I hold still enough it will land like a monarch
Worrying if it's something so important that I'm doomed
If I can't catch it.
The day passes slowly
the thought flitters and never lands.
too old to have a note on a string around my neck.
I go through the movements of my day slowly,
trying to give time for the errant thought to find it's way back.
Nodding to myself occasionally,
as just a shiny glance of the thought
Flutters into my head
Something I needed to do,
something that was important
Something urgent
And then like the scent of the faintest gardenia,
the thought passes.
I try again.
I move in jerky pauses,
sure that the thought is just out of my grasp
and if I hold still enough it will land like a monarch
Worrying if it's something so important that I'm doomed
If I can't catch it.
The day passes slowly
the thought flitters and never lands.
Alone
"There is nothing like being left alone again,
to walk peacefully with oneself in the woods.
To boil one's coffee and fill one's pipe,
and to think idly and slowly as one does it."
Knut Hamsun, Norwegian novelist
to walk peacefully with oneself in the woods.
To boil one's coffee and fill one's pipe,
and to think idly and slowly as one does it."
Knut Hamsun, Norwegian novelist